Martion Audiosysteme.

A three-way spherical-horn system built around a 110 cm mid-bass horn, a 54 cm mid-high horn and a corner-loaded bass horn. From 100 Hz to 20 kHz the Aeonor behaves as a single point source — the whole musical range arriving from one apparent origin.

Fully active and analogue by design, with Class-A electronics recommended. Horn colours are customisable, and the horns can be wall-mounted or placed on dedicated stands. Best for dedicated listening rooms and uncompromising home systems.

The same horn, the same cabinet, the same voicing — connects to an external crossover that can be connected to a normal 2ch amp ( 500-600W/ch@8ohms ). For engineers who already have the power they trust and want Martion's directivity and transient response on the end of it.

Pair it with a clean Class-D or a warm Class-AB — either way, the horn does what it does. Best for engineers and audiophiles who already have amplification they trust.

A two-way full-range horn designed for mid-size rooms — clubs, galleries, listening bars, boutique hotels. Smaller than the Orgon, with the same family voicing and the same obsession with time-alignment.

The Einhorn does well on walls, in corners, and on stands. It disappears the way a good speaker should — you stop thinking about it and start hearing the music. Best for boutique hotels, galleries, private lounges, listening rooms and mid-size venues.

A compact horn-loaded monitor designed for desktop, bedroom, and small-room listening. Lola inherits Martion's constant-directivity philosophy in a cabinet you can carry under one arm.

Sold as a pair. The entry point into the Martion world — smaller, but unmistakably the same family. Best for desktops, bedrooms, compact studios and small listening rooms.